Artificial Intelligence

I’ve been thinking a lot about artificial intelligence lately. I recently discovered it, and playing around with a few image ideas kind of got me hooked.

I started making pictures for a story I had written, and I was amazed to see my descriptions appear as pictures.

Let me back up. I love cars from the late 50’s and early to mid 60’s.

Images of fake cars started appearing in my social media feed, claiming to be real, or at least not admitting that they were AI.

Still, some of the images were cool looking. I thought someone with a big studio and tech skills was making them. Now I know that’s not the case. I made fake versions of cars I have owned, and then I understood.

What I describe when generating AI images, are fantasy. They are scenes from my sci fi book, and sometimes it is very difficult to make what I want understood. I’m generating images by inputting a few specific words. Most are failures, but then I start to learn what words or phrases can result in something satisfying.

What my computer does with the words is different than what I had in my head… different the way multiple people would describe the same movie, book or party.

So, like my little daily paintings, I look at them with surprise, and feel that they were made by someone else.

They’re like the holograms on Olo that don’t tell the same story the same way twice, because everyone has a different viewpoint or style.

I see AI as a tool to use in my art, like tracing paper or a projector.

I’m not embarrassed by this. In all my years of mentoring art students, I encouraged them to use whatever tools or methods they wanted or needed to in order to get the result they wanted.

I felt a little bad when a friend thought an AI image on my page was an original painting, and he wanted it.

The other day, I was with a friend who got an AI phone call. I don’t like that, but here we are.

Old people like me don’t always like embracing new technology. I happen to like this one, at least for now.

It’s shallow, but it allows me to present my words and ideas in a way that excites me and might even draw younger people into my work.

It took me many tries over a long time to get a couple of particular and very specific images. Sometimes I give up without a picture.

For example, it’s really hard to get an image of trees growing out of a bed. I mean OUT OF a bed. Right out of the blankets and pillows. And then of course I wanted stained glass windows and a black and white cat sleeping in the forest glade. And fish in the treetops.

If I keep trying with subtle changes in the words, it gets closer to my vision. And then I wonder, am I learning to use the prompts, or is AI also learning from me?

Once in a great while, someone sends me a photo of me from decades ago. An image I didn’t remember being taken. That’s how this feels.

Maybe Aino or Jewely are sending me pictures they took on the crimson plain, when I didn’t even see them in the crowd.

Screenshot

Growing Young

This is one of the canvases I reworked for my upcoming show at Betsy Bowen Gallery in Grand Marais. Visit her site at woodcut.com.

I’ll be there Friday, Dec 6 from 3 to 5 pm, and Saturday, Dec 7 from 11 am to 5 pm.

Amused

Several years ago, I incorporated painting into my bedtime routine. I find it relaxing to make marks onto paper with tools from my art boxes. One, a blue plastic container, was purchased as I was starting art school over 45 years ago.  It still contains pencils from that time. The other is full of markers, pencils and pens purchased more recently.  My red toolbox is full of paint brushes, several belonged to my grandfather before me. 

Random marks curve and cross, breaking up that pristine surface that so many people find intimidating. Most of these marks will not be seen again, yet they serve an important purpose. They loosen my hand and my mind, and they form the first layer. While they may be visible here and there, they all remain, informing subsequent layers. As much as I may try to separate my conscious mind from the process, I cannot. There is, however, an attempt to step aside and let my subconscious reveal the story. Like the artwork, I am a multi layered entity, existing independently, at least for now. 

I slather paint the way I might apply peanut butter to a bagel or hot sauce to fried chicken. It’s a dynamic surface. 

Afterwards… maybe the next day, I cut that full sheet of paper into sections, thus removing my contriving self once again from the outcome. 

Like I do with my canvases, I look at them, not to edit, but to see what is there. Not every section works in this state, but some stand out as little gems. Often, I see the events of recent days, or distant memories that floated up from the recesses of my mind. They found their way down my right arm, and out onto the substrate. 

They amuse me. 

Kesa

Summer. Mixed media on paper. This is one of a new series of 6 small paintings loosely based on one of my larger canvases. Part of my daily art routine.

Alla

Under. Mixed media on paper. This is one of a new series of 6 small paintings loosely based on one of my larger canvases. Part of my daily art routine.